Lakshmi Prasanna Manchu would be seen acting and in her upcoming production venture Dongata.
'Bollywood runs on the idea of age.' 'The moment you're single, even if you're 40, you're still appealing, you're still young.' 'The moment you're married, even if you're 25, it's uh huh. She's not sexy anymore.'
India's largest-selling deo brand is constantly reinventing itself, says Sohini Das.
Rajeev Srinivasan on whom the Congress might put forth as its leader in 2014.
'For every Kangana, every Shreya, every Teri complainant -- for every woman who challenges power, tries to rise in the world, or owns her own decisions, we'll produce thousands of Jishas.' Mital Saran takes on India's patriarchal establishment.
Monday's surprise meeting is an admission by the Bharatiya Janata Party that their purported strategy of hoping to ride the popular 'Modi wave' in a Tamil Nadu without Jaya and a bed-ridden Karunanidhi does not have much chance of success, observes N Sathiya Moorthy.
Jyoti Amge explains while Sadiya Upade listens in.
The start-up story appears to be losing its sheen due to corporate misgovernance, financial mismanagement and gender discrimination.
'I am a very confused and boring person in real life. I can't make quick decisions. If I am in the company of someone, especially a female, then that person would run away from me due to boredom.' Getting inside Nawazuddin Siddiqui's skin.
Searching for them online will only invite more trouble for you!
Rediff photographer-cum-correspondent Rajesh Karkera was the ultimate fly on the wall throughout the five days at Lakme Fashion Week Winter Fest 2016.
As we ring in the New Year we must recognise that 2015 promises to be a very exciting time for India.
Jelena Ostapenko became only the sixth female Grand Slam champion to lose in the opening round of their title defence on Sunday when she lost to Kateryna Kozlova at the French Open.
Vaihayasi Pande Daniel reports from the Sheena Bora murder trial.
Several places in Arunachal Pradesh, including capital Itanagar, were cut off by floods and landslides.
Gandhi attacked the government over its 'maximum governance' slogan, saying this also meant expanding the base of disagreement without inviting retribution, a reference to its crackdown on several non-governmental organisations.
The celebrations after the 2017 World Cup went on for the next few months. But there was one question that the Indian cricketers failed to respond to in their interviews. 'What was their next assignment?' Nobody knew; the players were waiting for the BCCI to tell them. The BCCI, with barely any time from its endless legal tangles, had nothing in mind immediately. The likes of Australia and England were back on the field, battling it out in the Ashes in front of sizeable crowds. But for Mithali Raj and team, there was no road ahead.
If an FIR had been registered by the Pen police -- instead of a mere entry in the station diary -- an investigation could have taken place and the body might have been identified as Sheena's, leading to the case being cracked much earlier.
Kaanchi Chopra's blog posts talk about issues like body shaming, colour discrimination, gender inequality.
True misogyny is when you stop being curious about women, and Milind Dhaimade directs his actresses with a sense of wonder. Tu Hai Mera Sunday has delightful women characters, sketchy men, and individual threads that work better than the whole package, feels Sreehari Nair.
Because we mirror his beliefs, says Savera R Someshwar.
The ordinary life lived in Pakistan is rarely a part of Indian imagination. This is this gap that Pakistani television serials have succeeded in bridging, says Mohammad Asim Siddiqui.
According to Nielsen India online viewership has doubled since 2011.
As it turns out, this soundtrack with multiple composers and lyricists at the helm of affairs turns out to be a largely entertaining affair with quite a few party tracks as well as a couple of soft songs that would go a long way.
'Pink a movie that's assembled especially for that section of prejudice-free Indians who are all on this side of the screen.' 'Look...there's virtuosity staring at you, 24 Frames per Second.' 'Soak it in; more power to the revolution, more wax to the candlelight vigils,' says Sreehari Nair.
After 800 days, is it a little clearer that Accused No 1 through 4 are responsible for her death?
Production has crippled at Bajaj Auto's Chakan plant in Maharashtra following a labour strike which entered its third day today.
Two experts who took for the Common Admission Test this year, breaks down the paper for you.
Youngistaan neither says something new nor does it reinforce time-tested wisdom in a way that you actually want to pay attention to it, feels Paloma Sharma.
The efforts of two women have given hundreds of street and slum children of Dehradun the hope to dream of a promising future.
Digital assistants are a gateway to powerful artificial intelligence tools
Madras Cafe is a swift, smart and serious study of an inglorious chapter of history, writes Sukanya Verma.
When the universe is your workspace, the sky is the limit, and there's no such thing as a glass ceiling. Divia Thani Daswani meets the women behind Mangalyaan
In spite of Budget's rural focus, the government has consistently stumbled in agriculture, says Shreekant Sambrani.
'Maybe what the lady in Sex and the City said was right-- that maybe our girlfriends are indeed our soulmates and guys are just people to have fun with.'
Director Shanker Raman, with an appetite for noir and a natural temperament for fast-cutting, takes you so swiftly and so deeply inside Gurgaon's anomie that you may mistake his vision of the city for some dystopian view of the future, feels Sreehari Nair.
Akshay Kumar talks about his forthcoming release, Housefull 3, sex comedies, awards and his 25 year journey in the film industry...
Donald Trump, Hardik Patel, Kangana Ranuat... The year 2017 wouldn't have been the same if it weren't for these personalities and many more. As we herald in 2018, here's a look at the faces and stories which left an indelible mark on us.
'As they grow bigger, the trail of their pioneering success often leaves behind a causticity marked by deficient human resource practices, negligible focus on corporate governance and rife sexism.'
A cow that speaks, a question on patriarchy and the story of a 17th-century poet - Sanskrit filmmakers are finding new ways to revive the 'dying' language.
